May you have the BEST of BEST in your life.
 

Book Promotions

 

Rhyonna's Fright will be on promotion at Smashword for 2$ with this coupon

 

#LN37G until January 31st.

Damsels Overcome will be on promotion with Smashwords for 2$ with the coupon

#GU45B until January 31st.

Released --> Damsels Overcome

 

 

Here is where to buy! 

 

Smashwords Stores for mobi, epub and PDF files

 

Apple Store  for epub

Barns&Nobles  > Nook, paperback, hardback

 

Overdrive < if you have the app

 

Baker and Taylor's, axis 306 < if you have the app

 

kobo !ndigo

 

Google Play

 

odilo  > must login

 

Scribd  > must be member

Amazon  > Kindle, paperback and hardcover

 

BUY AT YOUR WALK-IN BOOK STORE 

 order by my name, book title, or ISBNs

Hardcover - 987-942070-08-5

Paperback - 987-947020-05-4

Damsels have values, more than known and that we hear and read in folktales, legends, fairytales and news today.

Success as a writer is having the book in hand.

 

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I define success as a writer as holding the book in my hands after years of writing, cover design, all the edits, all the formatting corrections, and the distribution settled: hardcover paperback, modi and ePub for the many bookstores online and walk-ins. One long time to birth a book, almost like birthing a child;

 

--> then all the care and worries of growth and welfare afterwards.

Incubation of a story

 

How long do I shelve my first draft, before reading the manuscript and re-drafting? 

Sometimes 10 years, the elves have waited since 2005, I did do a bit in 2012 then got busy with my fairytale of 25 years and much beyond start in 1986 and finish 2014 - many adventures inbetween; gardening, computer death and all saved files, storytelling, then the door open for self-publishing and so the fairytale finish and on the web. Rhyonna is flying from here to there on the vast web. She is waiting for marketing.

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Then I wrote about 6 storytelling books which are now waiting - one is finish and almost published, which took about 10 years. The premise change several times: humble heroes, able women to damsels and their value.

So the elves are shelved and waiting, impatiently.  They have many tales to tell and now a village, which is a colony of 36+ individually.

 

Understanding of males as Knights in Shining Armor

One of my e-mail readers commented on a statement about my attitude in a book I'm writing in a way that I did not expect. The male's response was about my understanding of males, and who they were, and why they do what they do, which did surprise me? I was not commenting what a male thinks, not exactly.

I am commenting about my attitude about the 'Knight in Shining Armor' assuming they are all males, which is not true.

Anyway here is my take of the knight or prince charming.

From the legends about the Knights who roamed Europe commissioned by the Kings of England; the Knight has ravished dragons of one sort or another (for treasure) to saved a damsel or is this slaying really give fame to himself. My comment came from my attitude, 'The Knight slays the dragon to secure the jewels for himself.'  (jewels = skills)

 

Sure, some damsel want 'saved'; although most damsels desire to do their own work. To be saved by a Knight is servitude because the maiden or matron becomes the victim in a triangle --> saved, victim, indebted.  The tale Spider Weaver in my book Damsels Overcome; if she does not do her saving another danger comes along.

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Also, as a woman, female, I am balanced and part of the man, male; I have my knight. As man has all his jewels, and does not need to slay dragons guarding 'jewels', which I view as using another person's skills as your own. The King uses the Knight.

As a damsel: she can do her bidding, to be saved or not to be saved.

I am a risk-taker when writing stories.

I am a risk-taker when writing. I have a radically different style and add a controversial personal topic to my storytelling and writings. I want to present a more charted presentation - words are overused especially details of a picture. The reader, listener or the viewer has their set of images, they bring to the story. Let them participate. In my writing the transitions from story to story are by the titles and subtitles. At the end of each story, I give my interpersonal opinion about the landscape to lead into the next window. The character walks or jumps into a frame of a related story then into the window of the tale. 

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The storytelling method is to connect story to story, chapter to chapter.

My driving force is a character: damsels and their powers, or tiger slipping through history, dragons shaping China, fire gaining freedom, and Sita's point of view. Several stories connected to another to create a continuous adventure, saga, history.

 A novelist uses words, a film director uses images, a storyteller frames verbal story to verbal story, so the audience provide their images - hooked into the telling.

What motivates my reading choice?

My reading is widely within the genre FANTASY or  MAGICAL REALISM while I create stories for the genre Bildungsroman. Quoted from David Mamet teacher at MasterClass in Dramatic Literature at Master Writing, "Bildungsroman is a literary genre of stories about a character growing psychologically and morally from their youth into adulthood. Generally, they experience a profound emotional loss, set out on a journey, encounter conflict, and grow into a mature person by the end of the story. Literally translated, a bildungsroman is "a novel of education” or "a novel of formation."

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As a storyteller, I found story has a narrative calling for causation of this person or that animal and the reasons why. Or, the story is a problem to solve revolving around magical good or bad that happened or will happen as Joseph Cambell's the Hero's Journey. So, I read stories where the character grows in the best way for themselves as well as helping others. The myth Durga Saves the Gods from the Indian culture during their revolt against England in1947 is the best example, a Goddess created by the Gods to help defeat a Buffalo Deamon, who wanted control of Gods.

Special Friendships Made through Blogging

Friends through the blogosphere are friends I met in the physical sphere as professional the storytellers and writers, and we carried the friendship to their blogs.  WE never really discussed in the physical sphere what they said on their blogs. 

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The best place for blogging and friends is Wattpad.com. These friends have followed me on Facebook, Twitter, Pinterest, and my Instagram blogs. I will post their blogs in here; need to do a bit of research.

Artists are into the real world and how to interpret, not words. The YouTubers interest in their productions of movies and putting them or us together in the pictorials. 

Might be my age!  Following everyone takes time and distracts from producing my stories or writing. I need my time, my space and my words -- old age and death close causing me to be selfish. I do need the followers, READERS, and BUYERS!                                                                                                             

Damsels Overcome soon in bookstores

 

Both males and females are important in social norms. I'm making a case about the male narratives that dominate - take the fable Turtle and the Hare; all characters males. Masculine pronouns lock us into male narratives and male norms. 

DAMSELS OVERCOME has 20 folktales from different times and many countries. Included are blurbs about my identity and dispute with the narratives about the damsels who appeared in these traditional male-dominated dialogues written in literature and folklore from the 6th to 18th centuries.

Launch date is August 30, 2021.

Why I don't finish reading a book!

Being a writer, when am I reading someone else's work, I stop reading because these frustrate my reading; too much backstory, long descriptions that are not necessary for the story, and the dialogue much too long like a  lecture, or too short, or not with the character's personality.

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These stop me because I had too many writing classes and told too many stories. One might say this also stops most of my writing.

I have also noticed people listen to books on audio, or read short novels of 15 to 30 thousand words. I think because of our films and television we are more illiterate than the past generations and more images to read with movies and computers and television

However, what do I know? - This is just a bobbieism!

The time of the year that is my best writing time.

SPRING, when plants grow and surge from the earth is my best writing time. My ideals have germinated during the winter and now ready to break to the surface of the page. This is when I use NaNoWriCamp and A2Z Blogging Challenge in April to complete the story I began at the last July NaNoWriCamp and the Clarion Write-a-Thon. I need these programs to help me focus and complete my projects, I need a schedule.  My time in the between months is spent editing and organizing frame with stories. First, I tell the verbal folktales, fables, legends I have analized; then I stand-up at a swap or now on ZOOM to deliver. Then enhance, adapt, modify, elaborate the takes into organize epic sagas; a tiger, dragons, fire, and damsels, and trolls and elves. Next fitting into a frame and then writing out the adventure. I now have a series telling timeless tales with five books completed. Seems will be ready at the same time - could be good.

Getting them published is my next enormous step. Is there a challenge for publishing?

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Why do I write what I write?

 From the creators of The Insecure Writer's Support Group,

Albert Camus once said, “The purpose of a writer is to keep civilization from destroying itself.”

Flannery O’Conner said, “I write to discover what I know.” 

SO ← why do I write and tell traditional tales and myths? I write and tell to inform readers and listeners of the other worlds of yesterday and how these worlds affect or effect our world today, changed history, and rewritten for people in power for control of people in a culture.  

How we evolve is found in folktales, legends, myths, fables, cautionary tales, fairy tales and epics. My writings warn that these tales change to suit the ones who control the media which can be verbal, written, or filmed. The stories taken and changed from the cultures of primitives, the Hindi, Chinese, Persians, Greeks, Romans, Africans, Egyptians, Mayas, Incas, Mongols, Arabians, English and our American culture. The cultural writers give explanations of what is thought as real at that time and this time. 

Reality has the same plots, characters, concerns, fears, and hopes then as now in the analogies of what is seen and heard as evolve by language, and technologies.

 Always, beware of whom tells the tales and what is reality is use.

Looking at the 'Working Writer'

The term working writer looks to me as two words that are saying the same. I think they mean working on writing words.

I see myself as a working writer, working editor, and working publisher, who is aspired to write and finish projects for others to read and hear. I have a message. 

To write is to work words into sentences, then the paragraph, next pages, and into a story, or lecture, or essay. All are literature terms. I am a writer with the skills of plotting, characters, scenes, timing, dialogue, creating mystery, and adventure, which I learned by reading folktales, fairy tales, legends, myths, and fables from all over the world. I lack the training in phonetics and creative writing because my early education was filling in the blanks, which I am excellent. I love to answer questions. 

To look and to see are excellent art terms. I am an artist with the skills and techniques to make designs, book covers, paintings, drawings and format novels, etc. 

I think 'looking at the working writer' means reading their words, which I hope happens for me and any writer devoting time and efforts to word a novel.

And last, the seeing or hearing of the spoken words from telling a story, which we all do. Some of us interesting; others need to think about the words use and how the listener is receiving their story as do all author.

  I am not a hobbyist!

One beta partner to help with my stories.

Folktales linked together create my genre.

Grouping folktale, legends, and myth became a form, even a genre for interconnected stories I told. The more I wondered about the date and characters in the Asian Art Museum galleries, the more I needed a frame, sequence for telling the myths, legends, and folktales as I carved a path from statues of art the better my stories related.

On a stage for one to two, hours most storytellers connect their stories by a frame; the stories might have different characters, time, and settings; a novel uses scenes with the same characters. So I use dragon, tiger, anger, and justice through history in stories to relate as we travel on an ancient time path.

 

Today, I write the legends, myths, folktales that I told in the segue in a frame.

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Let's take the tiger folktales, each folktale is an event building the drama. A simple introduction, a tiger is born. A problem, tiger escapes from a man, roams, and dies. In a twist, the tiger is given life. The drama thickens; the tiger becomes greedy and embarrassed by a rabbit while he is in a pit once out tiger is injured hunting a pheasant. In the climax, the tiger hid in a cave and healed by a woman. With a satisfying ending, the tiger happily dances behind a drummer to a fest. A simple plot with maybe 12 folktales traveling through history with the tiger the character, which builds intrigue while hearing a simple history of Korea and the children did not suspect, either do adults.

Beware, one can enhance, adapt, modify, revision, embroidery, embellish, exaggerate and elaborate traditional tales; they have no copyright. Keep the plot lines; we all know the stories from childhood and enjoy the familiarity.

Changes needed in self-publishing!

Insecure Support

 1) More opportunities for photos and drawings within the text for epubs and mobi. We are a visual mind.

  2) Too many marketers saying the same things over and over and charging more money need a new model for advertising.

  3) The little guy starts an ideal and then jumped by the bigger markets and peddlers of junk come. Then all the changes rushed at us.

  4) All the apps and upgrades getting too complicated. I get exhausted even trying to write a simple blog post. I need a trip!

My Work Partner

My work partner is my computer.

What a complicated character is the computer? Not an old character, most likely about 36 years old. Its development was a bit older so let's say about 42. So what does this character do for storytelling 1) writes, 2) records, 3) videotapes, 4) prints projects, 5) shares links, 6) shares messages, and 7) shares emails around the virtual expandable vast web. Beware of the bugs and don't get caught while surfing in a net, although fun, by observing what others have pinned to their nets as charms. Remember on a web one side is sticky; you can get stuck and held.  

AS IS Productions for BobbieTales,  Bobbie Kinkead

No new stories only repeats of the same plots.

The storytellers have for centuries, forever, told traditional stories that have a simple plot: “Once upon a time there lived so-and-so in a land far away.” The time, characters, place settled then to the event to solve, climax, and conclusion. Simple!

The ancient fable Hare and the Turtle,
The set-up – careful Turtle slower that the over-confident Hare;
event - a race;
final event – arrogant Hare (nemesis) falls asleep;
climax- slow, plodding Turtle (protagonist) wins;
and conclusion – Hare can’t believe the Turtle won, and neither can the Turtle believe she won.

The basic plot remains the same, speaking to our genetic bodies. Verbal stories are inbred into our spirits, souls, and physic centuries before writing, photos, movies, or computers. The bones of our stories connect to our bones. We have heard stories for eons in many versions. Writers and storytellers tailor narratives for us; they enhance, fabricate, and re-image the characters and places, and use basic plots. Think about all novels and movies based on The Hare and Turtle. The same simple plot satisfies the teller, writer, listener, reader, and viewer.

I have a secret about my writing, something few know.

I have secrets my readers would never know from my work?

I think they would if taught from the DICK, JANE. and SALLY the reader book for first and second grades. Called SITE reading from the PICTURES. Look at the picture: what do you see? what are they doing this? who do you see? where is this happening? and how are they doing this? I can still see the pictures and not the words on the other page. No spelling or grammar, just looking at the picture. This, those, it, that, here, there, all vague words to put into the picture.

So when I started writing, what were given in school was diddos --- fill in the blanks, no multi-choice, a, b, c, d.  Is that writing, NO, absolutely not. So injured children went forth into the world as laborers.

You want to know what else, no phonics  -- just a bunch of letters to memorize for the spelling test.  No writing career, years of repair, even to speech the English language was horror, I had to make-up my words to speak and for letters of words with no sounds -→ (I was creative); so I became a visual reader, my first language. Sound is next, and you know what words are not spelled as they sound. How is that for a non-reader, tragedy, destruction - because I was considered poor and went to a poor school with deprived children.

Why is this education still today going on?