Showing posts with label antagonist. Show all posts
Showing posts with label antagonist. Show all posts

May 5, 2021

Understanding of males as Knights in Shining Armor

One of my e-mail readers commented on a statement about my attitude in a book I'm writing in a way that I did not expect. The male's response was about my understanding of males, and who they were, and why they do what they do, which did surprise me? I was not commenting what a male thinks, not exactly.

I am commenting about my attitude about the 'Knight in Shining Armor' assuming they are all males, which is not true.

Anyway here is my take of the knight or prince charming.

From the legends about the Knights who roamed Europe commissioned by the Kings of England; the Knight has ravished dragons of one sort or another (for treasure) to saved a damsel or is this slaying really give fame to himself. My comment came from my attitude, 'The Knight slays the dragon to secure the jewels for himself.'  (jewels = skills)

 

Sure, some damsel want 'saved'; although most damsels desire to do their own work. To be saved by a Knight is servitude because the maiden or matron becomes the victim in a triangle --> saved, victim, indebted.  The tale Spider Weaver in my book Damsels Overcome; if she does not do her saving another danger comes along.


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Also, as a woman, female, I am balanced and part of the man, male; I have my knight. As man has all his jewels, and does not need to slay dragons guarding 'jewels', which I view as using another person's skills as your own. The King uses the Knight.

As a damsel: she can do her bidding, to be saved or not to be saved.

March 2, 2019

I use my feminine propective as an writer.

My feminine protagonists are the narrators in first voice and the present tense
BECAUSE as a child and young adult, I was a
--> female; second to a male;
--> lady; second to a lad;
--> woman; second to the man;
--> she or her; second to he;
---> heroine; second the hero!
Always second to male, lad, man, he, and hero, who were and still are the main narrators. He leads and solves the problems and dilemmas of our the world, unfortunately.

A girl and young adult pushed from the frame because of my sex. I needed a place in the story, in the plot. So I write from my feminine irrate voice - about strong maidens or older matrons, who battled against oppression by cause by 'him'.

I write about strong maidens or matrons who overcome tyranny and suppression by facing ignorant dominance. My protagonists make change in their worlds for us to witness so we can make changes in our feminine lives.


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In my last piece, PURSUED, a Russian Folktale, the ugly frog skin of a princess is burnt by a selfish prince, a fool. This young male needed to view what his enchantment was.The fool does not understand balance and equality in a partnership only that female's beauty is for his prestige.

A villain, a male antagonist, can devour a story. A heavy, destructive, villain dominates. I figure she or her needs to conquer his hateful messages as does Faery Rhyonna, who rids Zzuf from her realm.