The time of the year that is my best writing time.

SPRING, when plants grow and surge from the earth is my best writing time. My ideals have germinated during the winter and now ready to break to the surface of the page. This is when I use NaNoWriCamp and A2Z Blogging Challenge in April to complete the story I began at the last July NaNoWriCamp and the Clarion Write-a-Thon. I need these programs to help me focus and complete my projects, I need a schedule.  My time in the between months is spent editing and organizing frame with stories. First, I tell the verbal folktales, fables, legends I have analized; then I stand-up at a swap or now on ZOOM to deliver. Then enhance, adapt, modify, elaborate the takes into organize epic sagas; a tiger, dragons, fire, and damsels, and trolls and elves. Next fitting into a frame and then writing out the adventure. I now have a series telling timeless tales with five books completed. Seems will be ready at the same time - could be good.

Getting them published is my next enormous step. Is there a challenge for publishing?

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Why do I write what I write?

 From the creators of The Insecure Writer's Support Group,

Albert Camus once said, “The purpose of a writer is to keep civilization from destroying itself.”

Flannery O’Conner said, “I write to discover what I know.” 

SO ← why do I write and tell traditional tales and myths? I write and tell to inform readers and listeners of the other worlds of yesterday and how these worlds affect or effect our world today, changed history, and rewritten for people in power for control of people in a culture.  

How we evolve is found in folktales, legends, myths, fables, cautionary tales, fairy tales and epics. My writings warn that these tales change to suit the ones who control the media which can be verbal, written, or filmed. The stories taken and changed from the cultures of primitives, the Hindi, Chinese, Persians, Greeks, Romans, Africans, Egyptians, Mayas, Incas, Mongols, Arabians, English and our American culture. The cultural writers give explanations of what is thought as real at that time and this time. 

Reality has the same plots, characters, concerns, fears, and hopes then as now in the analogies of what is seen and heard as evolve by language, and technologies.

 Always, beware of whom tells the tales and what is reality is use.

Looking at the 'Working Writer'

The term working writer looks to me as two words that are saying the same. I think they mean working on writing words.

I see myself as a working writer, working editor, and working publisher, who is aspired to write and finish projects for others to read and hear. I have a message. 

To write is to work words into sentences, then the paragraph, next pages, and into a story, or lecture, or essay. All are literature terms. I am a writer with the skills of plotting, characters, scenes, timing, dialogue, creating mystery, and adventure, which I learned by reading folktales, fairy tales, legends, myths, and fables from all over the world. I lack the training in phonetics and creative writing because my early education was filling in the blanks, which I am excellent. I love to answer questions. 

To look and to see are excellent art terms. I am an artist with the skills and techniques to make designs, book covers, paintings, drawings and format novels, etc. 

I think 'looking at the working writer' means reading their words, which I hope happens for me and any writer devoting time and efforts to word a novel.

And last, the seeing or hearing of the spoken words from telling a story, which we all do. Some of us interesting; others need to think about the words use and how the listener is receiving their story as do all author.

  I am not a hobbyist!

One beta partner to help with my stories.

Folktales linked together create my genre.

Grouping folktale, legends, and myth became a form, even a genre for interconnected stories I told. The more I wondered about the date and characters in the Asian Art Museum galleries, the more I needed a frame, sequence for telling the myths, legends, and folktales as I carved a path from statues of art the better my stories related.

On a stage for one to two, hours most storytellers connect their stories by a frame; the stories might have different characters, time, and settings; a novel uses scenes with the same characters. So I use dragon, tiger, anger, and justice through history in stories to relate as we travel on an ancient time path.

 

Today, I write the legends, myths, folktales that I told in the segue in a frame.

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Let's take the tiger folktales, each folktale is an event building the drama. A simple introduction, a tiger is born. A problem, tiger escapes from a man, roams, and dies. In a twist, the tiger is given life. The drama thickens; the tiger becomes greedy and embarrassed by a rabbit while he is in a pit once out tiger is injured hunting a pheasant. In the climax, the tiger hid in a cave and healed by a woman. With a satisfying ending, the tiger happily dances behind a drummer to a fest. A simple plot with maybe 12 folktales traveling through history with the tiger the character, which builds intrigue while hearing a simple history of Korea and the children did not suspect, either do adults.

Beware, one can enhance, adapt, modify, revision, embroidery, embellish, exaggerate and elaborate traditional tales; they have no copyright. Keep the plot lines; we all know the stories from childhood and enjoy the familiarity.