My writing taking me by surprise!

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Well, not writing specifically; verbal storytelling came in with a blast. Twenty years ago, the computer I used wiped from within and the floppy disk all my children's stories, a first draft novel I finished, and a family tree I had spent 3 years compiling.

 As I recovered on my couch, a thought ran through my mind, "Time for you to stand up and tell a story." To stand up and tell one of my creative stories, never. A disgusting, impossible idea, farther more where to start.

I never heard a person tell stories, only lectures about specific subjects. (This was before YouTube, Facebook, Twitter, LinkedIn, google blogs, before the cell phones and the videos we watch.) I did find a program at a Park and Recreation Center. Finally at Dominican University in San Rafael, I found a whole series on "How to Tell a Story." Verbally telling was precisely like writing a story; characters, plots, and scenes. And, there were thousands of public domain free stories, the TRADITION TALES, from all over our world to preform.

SO, I stood up and told a story.


NOW . . . TODAY - I write traditional fractured stories. That means I re-write or re-tell folklore by adapted, enhanced, re-imaged, embroidered, modified, elaborated, and embellished characters, scenes, and make subplots. I fabricated to suit my time and to create a better read. All folktales, fairy tales, legends, fables, myth are analogy, metaphors, or simile we use in writing. Traditional tales are the bones of today's movies and novels.

My Personal Traits in my Characters

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What personal traits have I written into my characters?

EASY, the love and playfulness of nature and the insects and spirits who play between the light and shadows. This is actually my view of life about the magical spirits that occupy my mind as I sit in my garden watching the trees and flowers grow and bloom.

My favorite genre to read, and the genre I write.

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Notice who is hiding.

NON-FICTION and ARCHEOLOGY are my favorite readings, and of course, all the information about writing and publishing.

What I write is FANTASY. I have always taken what is real and twisted around to show my opinions in the stories I create.  Non-fiction does allow this re-imaging and enhancement.

So, I am a writer who uses symbolized words to write analogy, similies, and metaphors about the possibilities of the real. We don't know what is real. Over hundreds of years, what was once believed reality has changed and still changes. Many theories exist about these changes. So I adapt, embroidery, modify, and elaborate on what I think reality is.

I believe we build on the dreams of the fictional, fantasy, and science-fiction thinkers. Then I carry this one level farther to the characters that float, flitter or walk around us that we do not see in our limited reality.

Learned language has power!

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 VERBAL LANGUAGE HAD POWER FOR ME, as a child the words help describe what I wanted and I could communicate with my mom, dad, and brother, later my friends, teachers, and family relations. I learned that the tone of language helps, a pleasant voice got more than the whining begging voice.

Then in the eighth grade, I learned WRITTEN LANGUAGE HAD POWER, I wrote a piece that was accepted by the local newspaper, on the kid's section, of course, still in the city newspaper, the Rocky Mountain New in Colorado Springs, Colorado.

A simple story about a lost dog, who found his way home. The fear of getting lost was every kid's concern during school years because we explored our neighbors. Then when we lived in the mountains of Colorado where my Dad cut the lodgepole pines for telephone poles and fences, there were no paths just a main road. What if I got lost?

This bit of writing I have saved to this day, it sits in a frame in my writing room, reminding me success is here and small counts.

Writing a AH-HA moment.

the insecure writers group

Help - just deleted my whole post - I'm going off to cry for a while and will be back to rewrite!

So a couple of days have passed, of course I forgotten what I was writing about the AH-HA moment. YES!

What scene do I always want help describing without giving away the ending and to keep the read interested.

The scene in every story, the scene where the character is hit, smacked, or dumped on the head by the premise of the whole story, The moment the character realizes, why the journey, mystery, adventure, or the quest in the first place. How all the bumps, detours, battles, arguements, and questions make sense. Why character is driven for a conclusion. The moment the whole fits together for the character without giving the plot away, and the audience stays connected to the stroy until the end!

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I have designed a fact sheet as my helper.

At the defining moment of AH-HA describe the charater:

What does the character look like?
What is the character doing?
How does the character move?
What does this character feel?
How are the feelings conveyed?

This 'FREEZE FRAME' moment is the character seen by the storyteller, writer, or film director and not the audience.