June 6, 2019

My favorite genre to read, and the genre I write.

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Notice who is hiding.
NON-FICTION and ARCHEOLOGY are my favorite readings, and of course, all the information about writing and publishing.

What I write is FANTASY. I have always taken what is real and twisted around to show my opinions in the stories I create.  Non-fiction does allow this re-imaging and enhancement.

So, I am a writer who uses symbolized words to write analogy, similies, and metaphors about the possibilities of the real. We don't know what is real. Over hundreds of years, what was once believed reality has changed and still changes. Many theories exist about these changes. So I adapt, embroidery, modify, and elaborate on what I think reality is.

I believe we build on the dreams of the fictional, fantasy, and science-fiction thinkers. Then I carry this one level farther to the characters that float, flitter or walk around us that we do not see in our limited reality.

May 1, 2019

Learned language has power!

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 VERBAL LANGUAGE HAD POWER FOR ME, as a child the words help describe what I wanted and I could communicate with my mom, dad, and brother, later my friends, teachers, and family relations. I learned that the tone of language helps, a pleasant voice got more than the whining begging voice.

Then in the eighth grade, I learned WRITTEN LANGUAGE HAD POWER, I wrote a piece that was accepted by the local newspaper, on the kid's section, of course, still in the city newspaper, the Rocky Mountain New in Colorado Springs, Colorado.



A simple story about a lost dog, who found his way home. The fear of getting lost was every kid's concern during school years because we explored our neighbors. Then when we lived in the mountains of Colorado where my Dad cut the lodgepole pines for telephone poles and fences, there were no paths just a main road. What if I got lost?

This bit of writing I have saved to this day, it sits in a frame in my writing room, reminding me success is here and small counts.

March 29, 2019

Writing a AH-HA moment.

the insecure writers group
Help - just deleted my whole post - I'm going off to cry for a while and will be back to rewrite!

So a couple of days have passed, of course I forgotten what I was writing about the AH-HA moment. YES!

What scene do I always want help describing without giving away the ending and to keep the read interested.

The scene in every story, the scene where the character is hit, smacked, or dumped on the head by the premise of the whole story, The moment the character realizes, why the journey, mystery, adventure, or the quest in the first place. How all the bumps, detours, battles, arguements, and questions make sense. Why character is driven for a conclusion. The moment the whole fits together for the character without giving the plot away, and the audience stays connected to the stroy until the end!

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I have designed a fact sheet as my helper.

At the defining moment of AH-HA describe the charater:

What does the character look like?
What is the character doing?
How does the character move?
What does this character feel?
How are the feelings conveyed?

This 'FREEZE FRAME' moment is the character seen by the storyteller, writer, or film director and not the audience.

March 3, 2019

Main Character, Not the Narrator

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A dialogue is not spoken by my main character in the story, Vasalisa, the Frog Princess. My enhancement and re-imaging creates an inactive persona, a damsel in distress. With Vasalisa having an absent voice, I wrote concerns for her and her struggle through contact with other characters.


As for the writer, fun to conceive what other characters see, hear, and feels about a main character's struggles and concerns while helping this silent distressed character, who is stronger than any of these think.
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Soon pre-sales for PURSUED will be posted on Amazon and Smashwords.com.

March 2, 2019

I use my feminine propective as an writer.

My feminine protagonists are the narrators in first voice and the present tense
BECAUSE as a child and young adult, I was a
--> female; second to a male;
--> lady; second to a lad;
--> woman; second to the man;
--> she or her; second to he;
---> heroine; second the hero!
Always second to male, lad, man, he, and hero, who were and still are the main narrators. He leads and solves the problems and dilemmas of our the world, unfortunately.

A girl and young adult pushed from the frame because of my sex. I needed a place in the story, in the plot. So I write from my feminine irrate voice - about strong maidens or older matrons, who battled against oppression by cause by 'him'.

I write about strong maidens or matrons who overcome tyranny and suppression by facing ignorant dominance. My protagonists make change in their worlds for us to witness so we can make changes in our feminine lives.


READ blogs.

In my last piece, PURSUED, a Russian Folktale, the ugly frog skin of a princess is burnt by a selfish prince, a fool. This young male needed to view what his enchantment was.The fool does not understand balance and equality in a partnership only that female's beauty is for his prestige.

A villain, a male antagonist, can devour a story. A heavy, destructive, villain dominates. I figure she or her needs to conquer his hateful messages as does Faery Rhyonna, who rids Zzuf from her realm.